The
Dark Knight Strikes Again – Frank Miller (2002)
When I was in middle school, I remember
seeing advertisements for a mail-order-only special mini-series comic book
called the Dark Knight Returns. As I was
a young kid with a tiny allowance, I never purchased them, but when they were
collected as a trade paperback I went and got that bad boy and it immediately
became my favorite comic book. I was
always a huge Batman fan and to see this story of an old, washed up
crime-fighter who comes back to wreck shop on the unsuspecting criminals of
Gotham City was awesome. Frank Miller’s
hard-boiled (before Sin City) story and his artwork blew me away.
Over 15 years later, Frank Miller
wrote and illustrated a follow-up to the Dark Knight. The world of comic books had absorbed his
earlier work, along with such classics as Alan Moore’s Watchmen and Miller’s
own work on the Sin City stories, so the freshness of a superhero comic book
story not aimed at children was gone.
Miller was still up to the task of crafting propulsive stories for the
dark knight detective however.
I did not read the Dark Knight
Strikes Again right away, as I was of the mindset that the original was a
self-contained masterpiece and to fuck with it would just diminish it. In that time, I had also stopped reading the
monthly comics, and missed the change from hand colored artwork to computer coloring. While the same colorist, Lynn Varley, did
both books, the original was greatly enhanced by the amazing watercolor skills
that Varley used to create an original atmosphere for Miller’s drawings. This second volume was colored digitally, and
I originally found it too garish and ”cartoony” to get into reading the
story. I am glad I got over that shit! One other thing that is missing is the ink work of Klaus Janson, whose delicate penmanship added so much detail to Frank Miller's pencil drawings. He would have really helped the visual look of this second book.
Re-reading this book, I find that
the story is still as convoluted and dense and frantic as before, which I love. The artwork is nearly as good as the
original, but it is evident in the lack of background details in the panels
that Miller rushed this into production.
The younger Miller obsessed over every single detail in the backgrounds
of each panel, adding a claustrophobic sense to the reading experience. Too many panels here use simple color washes
as backgrounds. I still find the
coloring too intense and distracting, but I think it suits the nature of this
sequel, making it seem more “modern” by comparison to the original.
These “Dark Knight” stories by Frank
Miller do not exist in the same continuum that the DC Batman comic books
do. They are tales of a possible future
for the Dark Knight. In doing this,
Miller unintentionally started the craze of alternate timelines in comics,
where different X-men teams live in different dimensions and have different
members, for example. I like to imagine
that Miller’s Dark Knight tales are the true end of Batman/Bruce Wayne, and I
hope to be pleasantly surprised by the third installment which should be on
bookshelves soon.
Oh, one more thing. Batman is NOT a superhero. Superheroes by definition have super-human
abilities/powers, and Batman has none of these.
He is just a human being, immensely smart, immensely wealthy, and
immensely obsessed with fighting crime. While
the murder of his parents was a tragedy, it did not force Bruce Wayne to be
Batman. He CHOSE to be Batman, and
worked at it until he became the Dark Knight Detective! In a world of superheroes who got their
powers from radioactive canisters, differently-colored solar rays, magic
lanterns, and industrial accidents, the Batman stands alone. Long live Batman.
(This book can be purchased here: AMAZON )
(This book can be purchased here: AMAZON )
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