30.1.26

Michael Benson Shares The Awesome Beauty We Create When Art and Science Meet

 


Cosmigraphics: Picturing Space Through Time – Michael Benson (2014)


            Rarely do I come across a book such as this, one that brings together two of my greatest loves and creates something fabulous.  Author Michael Benson shows us how the worlds of Art and Astronomy are, and have always been, connected and complimentary, and the way he does so is so beautiful, informative, and clever that I am left in awe.  I love this book!

            The objects in our sky, the gorgeous night with its twinkling stars, shiny planets, comets, and meteors, and the beaming sky of day with the Sun and sometimes the Moon visible, have been our companions throughout the whole existence of life on our planet.  Ancient man not only saw, but understood, that the view afforded from Earth allows us to see the passage of time, and the cycles described by the motions of the heavens.  Using just plain, careful, repeated observation, and before the invention of written language, humanity catalogued stars and constellations, predicted eclipses, and calculated the Moon’s cycles.  We also created art to help us describe what we saw, from cave paintings to petroglyphs to carved or molded sculptures.  This is how we know that ancient man understood the cosmos in a deep and meaningful way, something which has been sadly lost to much of our modern human population.

            Cosmigraphics collects some of the most amazing images and artwork created by us to describe the heavens above and our Earth below.  This book captures the artistic legacy of the visual explorations of our cosmos, and provides wonderfully descriptive and informative text with each image.  This book is divided into sections exploring the idea of Creation, our Earth, the Moon, the Sun, the structure of the Universe, etc.  Each chapter is so gorgeous and so indicative of the immense genius required to not only grasp infinitely complex ideas but to also portray them in a visual manner, that they allow for the dissemination of information and the spread of wisdom.  These images tell a million stories.  They are beautiful in their own right, and worthy of the appreciation we rightfully lay upon masterpieces by the likes of Michelangelo or Picasso.

            We marvel at the heavens, and have always done so.  As our scientific knowledge grew, our ideas of the universe grew.  Whereas ancient man had deduced that the Earth is spherical, it was accepted doctrine that the Earth was the center of all creation (Bible bias, always), and that, according to early Greek philosophers, what we see in the sky corresponds to sequential “shells” with each carrying different denizens of the sky.  It was accepted belief that the Moon rotated around the Earth in its own sphere, then the Sun, then each known planet.  At the time, this was Mercury, Venus, Mars, Jupiter, and Saturn.  Beyond the planetary “spheres” was a celestial sphere containing the stars in heaven, all fixed and immovable.  It took centuries of human observation, and the perfection of lenses and the telescope, for us to understand that there are no “shells”, that the heavens do move, that our Sun is the center of our solar system, that the planets all rotate around the Sun and not Earth, and that the stars themselves are ridiculously far away from our personal solar system.  Even so, it was assumed that the whole of existence fit within our galaxy, a self-contained universe we refer to as the Milky Way.

            Astronomers and other scientists improved on the initial telescopes, and with the new-found clarity of vision, were able to discern that many of the objects in our night sky were not nebulas internal to the Milky Way, but actually their own island universes, located an inconceivable distance from our own galaxy.  Each new discovery shrunk the old world dictated by religious dogma and human make-em-up, and increased the scope of vision allowed to a human being.  As our knowledge of the universe, its galaxies, and the overall structure of it grew, the idea that humanity was the single reason for everything to exist also dissipated, much to the chagrin of every deluded, brain-dead, dogmatically religious idiot whose entire world-view is based in blind belief and obedience to thousand-year old make-believe. 

            With every new discovery, with every new tool we create to explore our universe, we find more wonder and weirdness than we could ever have imagined. There used to be just one Sun.  Now we know that our galaxy, the cloudy band of light in our night sky called the Milky Way, is composed of billions of individual stars.  We know that outside of our galaxy lie countless trillions of other galaxies, each with their infinity of suns and planets. Hell we even know that everything we can see in the sky above is just a small part of the entire universe.  Estimates now posit our Universe is on the order of 13-15 billion years old, and nearly unimaginably vast, but we can only observe about 36 billion light years distance in any direction.  In its early stages, spacetime itself expanded faster than light, causing much of the Universe to remain occulted from our vantage point.  Any observer on a planet over 36 billion light years away from us would not be able to see Earth either.  It is these type of realities that, while factually and verifiably true, crash against our ideas of “common sense.”  Common sense stated that, if the Earth were actually rotating, all plants, animals, and water would be flung off the planet! (They did not know about gravitation, just as humans in the 1800’s did not know about radiation.  Who knows what all-encompassing truths of the Universe we remain ignorant of today in 2026!)

            Many of my intellectual heroes utilized both Art and Science in their work.  Leonardo da Vinci fused art, science, and engineering in ways we are still coming to grips with today.  Even Richard Feynman, physicist extraordinaire, created a visual and artistic way of describing particle interactions with diagrams named after him still used today to explain quantum processes.  Galileo’s observations of Jupiter and his discovery of its visible moons would not have had the impact they had without his daily drawings of the gas giant and it’s satellites.  These beautiful drawings are included in Cosmigraphics.  An image is truly worth a thousand words and Galileo’s drawings helped to simplify the results from exceedingly complex visual observations, allowing the rest of us to grasp his discoveries. 

            Science, the scientific method specifically, is how we understand the basic truths of our existence.  Art is how we communicate those found truths, whether personal or universal.  In Cosmigraphics, Michael Benson catalogues and examines the confluence of Science and Art, and expands our collective minds in doing so successfully.  This is a masterpiece of artistic and scientific exposition, and I hope someday to find a copy for my own collection.  Almost nothing that we humans do is isolated.  Every field of human endeavor touches every other field, and we are better off for it.  The specialization of humanity’s explorations have led to amazing discoveries, but it is the space between the specialists, the diffuse and vague areas between concrete ideas, where the true synergy of life occurs.  We would all be better off if we recognized this fact and lived our lives accordingly.  If you know of anyone interested in science, art, or the history of humanity’s exploration of our universe, this is the book for them.  It is highly recommended.

(This amazing book can be purchased here: https://www.abebooks.com/book-search/title/cosmigraphics/author/michael-benson/ )

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